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Photograph Credit score: Eketarina Gorbacheva
With out query, probably the most modern metallic drummers stays Dave Lombardo – whose groundbreaking double bass work, speedy hearth fills, and relentless vitality actually left an indelible mark on different timekeepers. A number of many years into this profession, it is just now although that he has gotten round to issuing his first-ever solo album, the all-instrumental drum showcase, Rites of Percussion. Which (spoiler alert) is not a metallic smorgasbord, however moderately, experimental, avant-garde, and even soundscape-y at instances…but nonetheless shows his distinctive abilities.
First rising to prominence as a member of Slayer, Lombardo performed on the group’s greatest albums, together with the metallic masterpiece Reign in Blood (amongst numerous different titles). Moreover, he has contributed to quite a lot of different tasks through the years – Fantômas, Useless Cross, Mr. Bungle, Misfits, Testomony, Suicidal Tendencies, and lots of others.
Lombardo spoke with AllMusic shortly earlier than the discharge of Rites of Percussion, and mentioned the making of the album, his favourite drum recordings, upcoming tasks, the fashionable state of rock drumming, plus Slayer’s most intense tune.
AllMusic: What made you determine to launch your first-ever solo album now?
Lombardo: “It has been at the back of my thoughts for years. I’ve all the time wished to do one thing like this. I used to be impressed by drummers like John Bonham – who created a track known as ‘Bonzo’s Montreux,’ that was launched on Led Zeppelin‘s Coda album after he handed.”
“Additionally, Tito Puente – a Latin jazz percussionist. I knew he had created these little drum songs prior to now, however I by no means attributed it to a specific album. And Mike Patton – again in ’98 or ’99 – came upon that I used to be into Tito Puente, and stated, ‘Oh Dave, you have to take heed to Prime Percussion.’ I would by no means heard of that album. And he turned me on to it.”
“So, I knew of different drummers who had created one thing like this however by no means a complete physique of labor…effectively, I believe later I heard that Hal Blaine had created one – however nothing to this extent, with this route. It has been some time, and at last it is right here and I am actually excited.”
AllMusic: Which tracks are you most pleased with?
Lombardo: “One that stands out is ‘Interfearium’ – the place there was a spontaneous second within the recording studio. Not in my private recording studio the place I recorded the majority of it, however once I went to Studio 606 and recorded the majority of the overdubs, I had only a fleeting thought of opening up the piano, placing a sandbag on the maintain pedal, and reaching within the piano field – not touching the keys – and grabbing some mallets and enjoying the piece that you simply hear.”
“It was only a thought – ‘Oh, I am going to do that and see what occurs.’ And I had one of many assistants dim the lights within the room within the studio, I lit a candle, and simply began enjoying. That is how that piece got here up – and that is certainly one of my favourite items.”
AllMusic: How did you go about composing the songs? Did you begin with a beat after which construct on it from there?
Lombardo: “Yeah – that is principally the way it began. I might simply begin with a specific drum sample. And typically it isn’t the drum sample that you simply hear start the track. Generally, it might probably simply be a easy rhythm performed on a desk high with my palms recorded by my telephone, after which I might obtain it into Professional Instruments and develop it from there. After which what you are listening to is a very completely different rendition of the track – the ultimate piece is completely completely different to the way it began.”
AllMusic: I perceive that your son, David A. Lombardo, combined the album.
Lombardo: “Effectively, I’ve labored with him on a pair different albums prior to now. We’re each gearheads…truly, each of my sons and I like music gear. We’ll sit and chat about all of it day lengthy if we have been in a position to. And my oldest son, David, he used to assist me when he was a very little child. I used to inform him, ‘OK. Punch me in when the machine says 0124.’ And he would do this.”
“After which when he was 18, I gave him a Professional Instruments MBOX, and we recorded a few albums collectively. He was recording his brother’s band, demoing their songs, and ultimately acquired a job at a recording studio. And now, he is mixing film trailers for Netflix, United Artists, and Common.”
AllMusic: What are a few of your favourite drum albums of all-time?
Lombardo: “Mickey Hart‘s Planet Drum, Babatunde Olatunji had a few actually cool albums that have been very percussion-based. I actually like Smithsonian Folkways – their compilations of actually deep African drum rhythms. Haitian Vodou drum rhythms. These are all on Smithsonian Folkways, I imagine. Hossam Ramzy, a Persian percussionist – he is wonderful. I actually like Milford Graves – a percussionist out of Brooklyn.”
AllMusic: What are your ideas on modern-day arduous rock and heavy metallic drummers, by and huge?
Lombardo: “By and huge it is fascinating the way it’s advanced. I get pleasure from a variety of it. They’re gifted and youthful and youthful as we age. Their chops are on level.”
“There’s a variety of nice drummers – certainly one of which is Daru Jones, who performs with Jack White. Very distinctive. Ian Chang who performs with Son Lux – he is additionally a tremendous drummer. New, upcoming avantgarde drummers that work with a variety of my pals in New York Metropolis – Kenny Grohowski, who performs in a band known as Imperial Triumphant. He is wonderful. Additionally, Ches Smith from Trevor Dunn’s Trio-Convulsant.”
“There’s numerous – it is only a matter of discovering and sifting the mass quantities of drummers which are on the market and selling their work on-line.”
AllMusic: Planning on enjoying dwell exhibits in help of Rites of Percussion?
Lombardo: “No. That is merely a bit of artwork. It could take a lot work and bringing in the appropriate musicians, and I might actually have to consider orchestration. It is not unimaginable, however I am unsure if I need to deal with that – no less than proper now. It’d change, you by no means know – if the appropriate supply comes alongside that may change my thoughts.”
AllMusic: Any speak of recording a brand new studio album with Mr. Bungle?
Lombardo: “No, that hasn’t been mentioned but. We’ve not exhausted this album that we simply launched, The Raging Wrath of the Easter Bunny. But it surely could possibly be attainable – I would not doubt it.”
AllMusic: How is Mike Patton doing? I learn some time again that he was coping with psychological well being points.
Lombardo: “He’s significantly better. He is doing so effectively – I am actually pleased with him, the steps that he is taken. We did a South American tour final December and he kicked ass. He was in nice spirits, he was on level, he was in his conventional ‘Mike Patton kind.’ I am so comfortable for him and I am trying ahead to this upcoming tour.”
AllMusic: Talking of Mike Patton, Rites of Percussion was issued through his label, Ipecac Data. What made you determine to go along with Ipecac?
Lombardo: “Mike Patton’s love and help from day one. I couldn’t – wouldn’t – give it to anybody else. There isn’t a different report firm that might perceive one thing like this and the way necessary a physique of labor like that is than Ipecac.”
“Mike Patton, the primary report he put out on Ipecac was the primary Fantômas album – that I used to be part of. That firm and his help has been an integral a part of my drive to finish this physique of labor. I bear in mind telling Patton, ‘Hey man, I am nearly executed!’ And once I despatched him the file with all of the songs, he got here again, ‘Lastly! In any case these years!’ I simply needed to discover the appropriate time and I needed to be in the appropriate headspace mentally. And we have been in a position to seize it.”
AllMusic: Which different tasks do you will have developing?
Lombardo: “Effectively, I simply launched a single from Empire State Bastard, a brand new band I am working with from England [which also includes Biffy Clyro members Simon Neil and Mike Vennart]. They’re massive followers of hardcore music and so they put some music collectively and introduced it to me with a demo again in 2020 – across the similar time I used to be recording my drum report. I did not need to take every other tasks on – I used to be simply actually targeted on Satanic Planet [another band Lombardo plays in], on my drum report, I believe I would recorded ‘Colours’ for Physique Rely, and there have been different tasks.”
“And once I heard Empire State Bastard, I used to be like, ‘OK. I’ve to do that. This simply has my title written throughout it. I can get behind this.’ So, that [a full-length album] goes to be launched hopefully on the finish of the 12 months. We launched a brand new single known as ‘Harvest’ and we performed a couple of showcase exhibits in London, Manchester, and Glasgow. I believe we is likely to be doing one thing within the States – touring.”
“I am within the strategy of modifying a video for a really gradual, down tempo love ballad venture [Venamoris] I put along with my spouse Paula. She sings and writes a variety of the music. We’re going be releasing a video quickly – I do not know precisely when, inside most likely the following month – for the final track on the report, known as ‘So Good.’ And I’ve some excursions developing – Mr. Bungle, Misfits, and Empire State Bastard.”
AllMusic: How would you describe the music of Venamoris, the venture along with your spouse, Paula?
Lombardo: “We simply launched an album and a number of other movies. No touring – it is only a singer-songwriter duo, creating some darkish…they name it ‘journey hop.’ It is nearly like Portishead, somewhat little bit of Halsey in there. But it surely’s probably the most left flip I may have taken, musically. I play brushes, I play with rimshot, I play the slowest tempos you might ever hear from me. And her voice is attractive – her voice is gorgeous, it is wonderful. Lovely harmonies. Nice songwriting. It is one thing connected to the Lombardo title that you could play on your dad and mom or your grandmother. It is one thing very, very chill.”
AllMusic: Lastly, do you agree that Slayer’s “Angel of Loss of life” stays probably the most intense metallic track of all-time – each musically and lyrically?
Lombardo: “Sure. That track is intense. If there is a image or a track to associate with that description, yeah, that might be the track. I may see that. I can not disagree on one thing that I am so pleased with – that might be sacrilegious. It is some nice stuff proper there.”
See what Lombardo is at the moment as much as through his Twitter web page.
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